If you are looking for someone who knows the meaning of the word "no" then keep looking because if you ask anyone who knows him, Maronzio Vance refuses to acknowledge the word even exists. Making people laugh for as long as he can remember, this witty, sarcastic, storytelling North Carolina-born comedian/actor (who also refuses to accept the fact that he comes from the South because his state starts with "North") once waited in a men's bathroom for two and a half hours for a chance to meet the Kings of Comedy.
If you haven't seen him in any local bathrooms, you may have seen him on The Jamie Kennedy Experiment, Jamie Foxx’s Laffaplooza on Comedy Central, Wanda Sykes: Wanda Does It, Last Call with Carson Daly, writing for The Boondocks or Last Comic Standing. People can mistake his comedy and conversation as being sarcastic, but let him tell it: "When I started out I asked Steve Harvey the key to becoming a good comedian. He paused and told me how much his suit cost. I can only give what I'm given. See you in the restroom people."
I don't ask people without arms to point me in the right direction -Maronzio Vance
Grant Cotter is a stand-up comedian and writer from San Diego, CA. He was one of the breakout stars from the MTV prank show 'Jerks With Cameras'. He has appeared on NBC's 'Last Call with Carson Daly', 'Off The Chain' on Bounce TV, 'Mystery Diners' on Food Network and is the host of the Dr. Pepper 'One Of A Kind: Music Sessions' for SPIN Magazine.
In 2014, Grant was selected to perform on all 21 dates of the Funny or Die Oddball Comedy Tour with Louis CK, Sarah Silverman, Aziz Ansari and Hannibal Buress. You can also catch him on the upcoming season of HBO's smash hit 'Silicon Valley'. Grant is a staple in the L.A. comedy scene and can be seen performing regularly at The Laugh Factory and the Improv. www.GrantCotter.com
Comedian and writer, Gene Pompa's television credits include regular appearances on "Late Night with Conan O'Brien," on NBC and a handful of appearances on "The Late, Late Show" on CBS. Other credits include Comedy Central, HBO, Que Locos on Galavision, Showtime's "Latino Laugh Festival," and "In Living Color" on FOX, and Si TV!. Gene co-starred in Paul Rodriguez' "Comedy Rehab" in May, 2009.
Gene has completed two half-hour solo stand-up specials, "Pompalicious" for Comedy Central and a self-titled half-hour stand-up special for SI! TV, both airing regularly in rotation.
Gene's offbeat perspective plays extremely well with college age audiences and crosses all racial and ethnic lines. He headlines regularly at the Improvs in Hollywood, Irvine, Brea and Ontario and across the country, doing a stand-up show with great social relevance and irrelevance.
Gene was born in East Los Angeles and raised in the working-class suburbs of Southern California. He's been a Mexican-American for most of his life, except for a few years during the 70's, when he was a "practicing Chicano." As a product of the multi-ethnic suburbs of Los Angeles, Gene was inspired to utilize universal themes in his stand-up and his writing.
Assad is writing this in third person so it sounds official and he can fool you into thinking he is way more important than he really is. If you’re reading this for any serious reason you should know right off the bat that you’re wasting your time. If you’ve reached this line in the bio, there is seriously something wrong with you because who really cares about Assad Motavasseli besides Assad Motavasseli?
Assad is a writer, producer, comedian but before all… a model. He is a California boy that was raised by a pack of wolves, and by wolves I mean hairy Persian parents. It wasn’t easy growing up as the only Middle Eastern kid in town. The other kids would eat PBJ’s while he was always stuck with smelly curry. It made his face look like this :( but he soon became the class clown because at an early age, he was trying to get laid.
Now in his mid 20’s Assad is one of the fastest growing comics in the world, but he still hasn’t gotten laid from his jokes, so he might quit soon.
I told you I have no idea why you're reading this...